I had fun doing this last week (and the notes and emails seem to indicate some of you guys did, too) so thought I’d do it again this week….
So…if you’re not an American Idol fan, we’ll see you back here bright and early tomorrow! You can now use your free time to find the answer to this week’s Friday Giveaway Scavanger Hunt question. See Monday’s blog post for details.
And off we go….
Tonight is American Songbook night, which isn’t nearly as exciting as Rod Stewart night, which is what I and a good chunk of America thought it was going to be. But we do get Rod helping out the contestants as they choose and figure out what standard they will be singing.
Ryan is sporting another argyle patterned tie…which I like. I am in the minority on this, and, as I don’t wear ties or hang out with Ryan, I don’t care. I like that he’s into dressing up this season, so I will admire from afar and enjoy. Neener neener. Ryan is also scruffy and seems to be in his continued bad mood and I, for one, would like him to get over it. Simon is enough ugly snark for one program. Besides, Ryan’s snark is better served cute than cranky.
Judges get introduced. Randy is a dawg, Paula is looped (or not, hard to tell really) and Simon grins his way through the boos. He’s richer than Croesus, and usually right on target about who goes home, so what does he care. Ryan tells us the contestants are going to sing classy and elegant standards from yesteryear (by which he means songs the contestants have totally never heard of before given they’d never even heard of Manilow or Queen…except, I’m guessing here, maybe for Paris, who might have been raised with this kind of music. Early edge to Paris.)
Sigh…Hot Legs and Do You Think I’m Sexy….and we’re getting crooning. Deep sigh of disappointment. Now, brownie points galore to Rod’s stylist and plastic surgeon, because of all the guys I thought would age well, he’s down there around the bottom. Above Keith Richards, but not far above. So color me pleasantly shocked to see him looking rather smashing. Maybe it’s the new baby and, cough, um, youthful fiancee. Kenny Rogers might want to give Rod a ring for some phone numbers…(for the surgeon people, the surgeon.)
Idols are singing “You’re in My Heart, You’re in My Soul” as Rod and Penny come in with incredibly adorable baby Alastair. Serious cuteness factor there. Must take after mum. Rod looks to be having an absolute blast with the Idols and gives them serious props for attacking the material at such tender ages, as he claims it would have been well beyond him at that time in his life. (Thank goodness…because think of all the music we’d have lost.)
Ryan swears Rod will be on stage tomorrow night to sing live. Yeah, yeah, we’ll believe that when we see it. (Oh! Juicy gossip aside…Brian May from Queen has his own blog on www.brianmay.com called Brian’s Soapbox where he discusses in greater length the very unfair edit he thinks he and the Idols got on last week’s show. Check it out - straight from the source.)
First up? Chris Daughtry is going to sing It’s a Wonderful World and tells Rod that this is “a bit of a departure for me” in what is probably the understatement of the century. Louis Armstrong is even rolling his eyes. Not liking the breathy quality of the practice…let’s hope it’s better live. And that Rod, he’s a huggy person, isn’t he? Who’da thunk? Then he praises Chris and very affectionately slams Ozzy Osbourne and I officially love Rod.
Guy seated on stage, guitar in lap….Chris enters stage right wearing some kind of bizarre rocker dude Stray Cats ensemble, but the makeup lady backed way the hell off, earning my undying gratitude, so I’m okay with this. Song begins, not so breathy, shows off that he does have a good voice…ultimately nice to see another side of him, but kinda boring (he’s no Extreme doing Hole Hearted or anything) and going first I’m a teensy bit afraid he’ll be forgotten by the end of the night. Good for him there are only 6 other performers left. But, all in all, a pretty decent run through. Judges? Randy applauds. Paula’s cleavage momentarily blinds me, but she’s, well, Paula. And Simon was clapping at the end of the song, so I think he’s going to get the good edit tonight. Simon takes full credit for Chris changing his style so he can remind America (and cranky Ryan) that he does, in fact, give constructive criticism, so of course he applauds the performance because he sort of can’t not, now, you know?
Commercials…the one Coke commercial I don’t get tired of, but come on, I write romance. So gimme a break already. But that is some kiss, isn’t it?
MI3 commercial and, see, I dunno…I’m going all political here but whereas I’d normally totally be lining up to see this movie, my Tom Cruise love has completely waned. And, just like when the flick Mr and Mrs Smith came out, I can’t get into the movie because the actors stay celebrities to me while up on the screen and I’m distracted by that. And not in a good way, Mr. Pitt.
Ahem. Back to Idol…next up? Paris who, in her sleeked back pony tail, tailored suit and pumps looks like she’s getting ready to audition for Working Girl: The Sequel, but whatever. I was hoping for something more Billie Holidayish. But, as suspected, she is supremely comfortable with the genre.
She tackles Billie’s Foolish Things and her mom listens on as she rehearses with Rod, who brilliantly picks up on the fact that maybe Paris has a bit of a jazz background. Ya think? She’s channeling Billie all over the place and her mother weeps and Rod applauds and everybody is just having a really good time. Slam dunk for Paris.
Live performance…Paris stands behind the microphone in her sleek, elegant suit looking way older than 17 years and totally nails this song to the wall three sound stages down. I know it’s not necessarily memorable to the audience at large as it’s not a song a lot of people will know, but simply gorgeous and exquisitely done. Makes me really sad Mandisa isn’t here tonight. Judges? Drool all over her, as well they should. Outstanding performance. I hope America gives it up for her, this week anyway.
Commercials…which I FF through to save you all from further commentary. Ooh ooh!! I take it back!! I stop short and SQUEE!!! So You Think You Can Dance is coming back and soon!! May!! I’m saved. There will be dancing!
Ahem, now back to your regularly scheduled songbook…
Next up? Taylor Hicks who, before watching a second of footage, I am going to predict does well with this genre. In fact, with Bucky gone, I’m thinking that while it might not be a smash bang memorable night, everyone might fare reasonably well. (I know, I know, there’s Kellie, but even she might find something to sink her teeth into. She did Bohemian Rhapsody last week y’all, so I’m giving her a bye this week just based on that.)
Now, back to Taylor, who sits next to Ryan on stools and there is that weird wrong font size thing happening again. Like it’s a split screen or something. Ryan mentions that they parodied Taylor on Saturday Night Live last weekend (which I missed but understand was pretty funny) and Taylor is totally flattered by it, which is exactly the right reaction. Smooch to Taylor.
Taylor and Rod totally hit it off to no one’s surprise as he practices You Send Me and they sing together with remarkably similar range. Entertaining. Then I totally fall even more in love with Rod when he very constructively criticizes Simon’s advice to Taylor…saying exactly what I think is right. For Taylor. Rod knows of what he speaks, even when he’s bleeped.
So Taylor comes out and totally smooths the song into being utterly plain and boring. I am SO disappointed. Taylor, Taylor, Taylor….loosen up man!! It’s like he just seizes up and goes for hitting the notes, keeping the melody, and taking all the Taylor out the equation. Granted, no one wants to do Sam Cooke, but—ooh!! Wait a minute! So finally, near the end, he starts to bring it. Enough? Why yes, yes, I think it is. He totally closes it out. Now THAT is what I’m talkin’ bout Willis!
Judges? Randy takes all the credit this time, Paula…why bother, and Simon is enjoying himself immensely tonight (and totally agreeing with me, I might add), which is good, if only to keep Ryan from snarking on him further. It’s not as funny as it used to be since Ryan got all cranky pants about it.
Eliot and Kellie up next! (Cute prom date, indeed…)
Commericals, but do I say anything? No. I FF like a good little recapper….(besides, what can possibly top SYTYCD coming back next month, huh?? I’m quitting while I’m ahead.)
We’re back, and it’s Eliot up first… (I’m counting Idols in my head and realize that after these two, that leaves Kat, who should nail this…and Ace. Please tell me he’s not the closer. Not tonight, when things are going so well…) Anyway, Eliot is totally thrilled to be hanging with Rod. Along with Paris, I think this should be his night, if he can conquer his live-onstage nerves. He did SO much better on the results night sing out last week…I hope he gets that performance tonight. He’s singing It Had To Be You and Rod applauds, literally. We find out Eliot’s mom was a professional singer who made her living off of these songs…so he really is Paris.
Here we go….And he’s looking really great. Bringing the smile and the personality right from the start. Yay. This is his night. I could do without the back up singers, tho. Minnie Mouse called and she wants her voice back. But Eliot is Right On It tonight. Sigh! And at the end he brings it much like Taylor did, within the silky confines of this song…so hopefully Simon won’t call him a wedding singer because I don’t want him in the bottom three.
Judges? Randy is all over it. Paula really needs to stop squeezing her boobs together with her elbows for fear of “an incident” which would leave me traumatized (what IS that fabric on her dress tonight anyway? Just…no.) Simon slams him for not bringing enough personality, which is the one thing I thought Eliot did bring tonight, and I fear in a very big way this seals his bottom three doom. Thanks Simon. Now we pray that Ace is, well, Ace, and then Eliot won’t go home this week. And of course, Ryan jumps ALL over it. And…I don’t care. Be cute or be quiet, Ry Ry.
Now, this should be fun, if nothing else, because you know Rod loves the ladies and he will just enjoy the hell out of Kellie because, the genetic thing, remember? He teases her right from the start, she actually gets it after a beat, everybody is charmed, and off we go… He says a lot about her personality, little about her singing, and, no one is surprised by this. Nice to see him being, well, nice, but then we love him, so of course he is. She is singing Bewitched, Bothered, and Bewildered which she does quite nicely with, then leaves Rod with an opening the size of the Grand Canyon to make the double entendre, but he manages, somehow, to remain a gentleman. Not that she’d have gotten it one way or the other anyway. But still. Say it with me now…Oh Kellie!
And we sing… Kellie is in a knock out red dress made out of what looks like the same fabric as Paris’s suit. Her hair is down and simply styled and she chooses to stand behind the microphone as disco ball lights dot the stage, and sing. She does that weird thing where she rolls her R’s, but she does a very nice job with this. Very Patsy Cline tonight. A few off notes as the song continues, which is a shame, because she was going along well. Simon was seen hanging his head on a few off notes, so brace yourself, I predict it’s going to be a bumpy review. Deserved this time, I’m afraid.
Judges? Kellie heard herself that she was off in the second half, so that will help her, I think, with viewers. But, still… a shame, because she could have had that one. Randy gives her props for trying, Paula gives her props for her shoes, and she braces herself for Simon, who is pretty straightforward and not as brutal as he could have been, for him. She apologizes, and you can’t not like that, and even Simon looks like he wishes he could have been kinder. Give it up for the Pickle. She’ll live another week. Eliot, my man? I’m worried about you now!
Ace, live up to yourself, and please let me down! Please! Save Eliot! (I just had an ET moment. Eliot…go home. No!!)
Commercials…but first, Ace is up next and his hair, his hair! It’s slicked back and he’s…he’s wearing a suit. And a tie. And looks…good. Be right back. (Donna dashes to cell phone, starts voting madly for Eliot.)
Okay, Ace and Rod hang out, and Ace is singing a song even I, Older Than Dirt Donna, doesn’t recognize . But neither does my mom, who I am IMing with through this whole thing, so there’s that. He’s singing That’s All and I have no idea if he’s doing a good job with it, but he doesn’t sound bad. At all. And given the rounding criticism he’s received for weeks now, it’s no wonder he was really nervous and seeking Rod’s approval. Which he gets, in spades. Rod loves him and the song. And possibly with good reason.
Be right back. I need to go vote a few more times for Eliot.
So…here we go…not sure I’m a fan of the hair, he’s got it in a Samurai do, y’all. But in every other way he looks good. And, yes, sounds good, too. Not ground breaking, but better than your standard Ace by a mile. So this makes the bottom three interesting…but for now, I’m thinking Ace and Eliot will still be there, because while he’s singing well tonight, it’s just good. Not earth shaking. Won’t be enough to get him out of the hole he’s dug…and that last note? Not good.
Judges? Randy gives him props. Paula garbles. Simon is kind and Ace almost cries. And I feel for him, because for all we all pick on him, he’s taken a lot of abuse (whether or not deservedly, it’s still got to be very tough) and handled it very very well. So I felt good to see him truly happy and relieved that he finally got something nice said about his performance.
More voting for Eliot during commericals….
And, possibly very deservedly, though I was hoping for a Paris closer originally, Kat takes us home tonight.
Kat meets Rod and he duets with her, which has to be a thrill for her. He loves her voice and her, and she eventually decides to sing Someone To Watch Over Me to resounding praise from him.
And we sing…she sits on the edge of the stage, dressed simply in a black pant suit, hair pulled back…and does a very nice, smokey job with the opening. This genre is tailor made for her and she actually gives me a little goose bumpy moment. She stands to finish up and keeps the pace going…and knocks that puppy out. Simply stunning, as is she. One of her best, I think, if not her very best. Nice closer.
Judges…Randy starts, but the crowd is still cheering and she can’t hear him - he repeats and praises her, and so does Paula…Simon tries to praise her if Paula would shut up (he’s being NICE here) he would, and eventually does. Well deserved praise.
All in all, this was by far their most solid night as a group. Nothing earth shattering, but consistent, solid, beautiful performances were an absolute pleasure to behold after the past few weeks. Loverly, loverly, night.
As for my Bottom Three? Tough, tough call. The easy route would be to say Ace and Eliot because they don’t seem to have the fan base yet and with the solid performances tonight, that line up might not shift a lot. A shame for Eliot. (I’m trying, Eliot, I’m trying!) As for who should take that third spot? Based on tonight, it should be Kellie, as she was really the only one with a rocky performance. But I think her Cute Quotient and humble attitude might be enough to keep her safe. Dunno. We’ll see. Kat has been there a few times, but she should escape it this week. Anybody’s guess then, on that third spot…
What are your predictions? Tonight should be veddy, veddy interesting… And with my new Rod Love, I’m even looking forward to him singing his standard tune. Though I’d still really really rather him crank out some good ol rock n roll.
Shew! If you made it this far, you are a Primo Blog Babe and I thank you for your kind, supremely indulgent attention.
PS - yes, I know you can’t vote during the show. My mom and I taped it last night and were watching later in the evening at the same time, right at the tail end of the voting window. Oh the pressure!
Happy Hump Day everybody!
Tags: Writing by Donna
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